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Roman Catholic Marian music shares a trait with some other forms of Christian music in adding another emotional dimension to the process of veneration and in being used in various Marian ceremonies and feasts. Marian music is now an ''inherent element'' in many aspects of the veneration of the Blessed Virgin Mary in Roman Catholic Mariology. Throughout the centuries Marian music has grown and progressed, and witnessed a resurgence along with the Renaissance, e.g. with the composition of the Ave Maria motet by Josquin des Prez. The tradition continued with a number of great composers up to the late 19th century, e.g. with Giuseppe Verdi's ''Ave Maria'' in 1880 followed by his ''Laudi alla Vergine Maria''.〔(Verdi: ''Ave Maria'' )〕〔(Verdi: Laudi alla Vergine Maria )〕 ==Saint Ambrose== One of the oldest Marian intonations is credited to Saint Ambrose of Milan (339-374). The Church names an ancient liturgy after him (Ambrosian Rite), which is actually older but nonetheless traditionally attributed to him.〔Paredi, Marienlexikon, 176〕 Some 870 parishes in the diocese of Milan still use the ancient Ambrosian rite. Several Ambrosian rite Marian texts were intonated, for example the famous Gaude:〔Paredi 176〕 :''Gaude et latare :Exultation angelorum :Gaude domini virgo :Prophetarum gaudium :Gaudeas benedicta :Dominus tecum est :Gaude, que per angelum gaudium mundi suscepisti :Gaude que genuisti factorum et Dominum :Gaudeas que dignas es esse mater Christi'' Marian hymns by Ambrose include the ''Confractorium'' from the Christmas liturgy, and in a poetic creation of Saint Ambrose, celebrating the Mother of God: ''Intende, qui Regis Israel.''〔Paredi 177〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Roman Catholic Marian music」の詳細全文を読む スポンサード リンク
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